Thursday, June 29, 2006

Disability paper--I have no map

Clumps of thought to explore, or The Amylea Clemons Method of Paper Writing

“There seems to be a chasm between the medical knowledge of a condition, and how it impinges on academic progress.” (Report from Queensland University of Technology on ME/CFS in post-secondary ed)
Primary texts: Compliance documents from two universities. Purdue and Florida vs Queensland
Method: Close reading of the translation of ADA required material into web information on university sites.
Goal: to discuss the attitudes, values, and assumptions that underlie the construction of official statements (read: “legally mandated statements”) of disability services at the university level. What ideologies and definitions of “disability” are embedded in the language of the document? (Here I’m thinking of J Blake Scott’s article on Confide home testing for HIV, where “normalcy” and WASP ideology are constructed despite attempts at empathy and political correctness.)

Contextualization: ADA requirements, recommendations from ed.gov
Frameworks:
Use Mezzy’s terministic screens of interpretation of legal documents for own interpretations. Grammarian problems.
Edward Schiappa’s Defining Reality asks us to consider definition not as finding an “essence” but as contextualized:

It is not that X is Y, but that X should count as Y in context C. When we do this, however, we should ask “What are our shared purposes in defining X? What interests and values are advanced by competing definitions? Whose interests are being served by a particular definition and do we want to identify with those interests? What are the consequences of the ‘essential’ characteristics promoted by a definition, given that every category ‘valorizes some point of view and silences another’ (177-178).
To what extent do the definitions in university “judicial” documents (documents that serve a legal function) serve one interest or another? What definitions are used, and what are the attitudes toward that definition? What are the attitudes toward the ADA in general, and how is the ADA definition presented (where, to what extent is it quoted, how is it explained, links?) What version of “disability” emerges from the university’s use of the ADA’s legal language? Who benefits from these definitions, and what attitudes emerge from those definitions? What consequences might there be?

How is normalcy constructed in the documents? (Davis) What is “normal” for the university? How is “university” itself constructed in the documents? More importantly, how are these arguments made, and what authorities do they draw from?

Support for close reading: AHEAD website’s comments and recommendations. Overview of judicial rhetoric research in disability studies. Criticism of university regulations for chronic illness in Australia. (three studies)

Monday, June 26, 2006

Found poems--literally

I've been "cleaning" my apartment for the last week, in the process of rearranging furniture (read: "books") and I keep finding fragments of poems I seem to have written in strange places. I have no desire to lose these, but given my track record...
Presenting, Poems Found in Amy's Living Room

Prose poem: The month of May

If it were warmer and my head were clearer, I'd do yoga on someone else's lawn at midnight. Why bother crying? The film makes it obvious: Icons link the unknown dead to the known, my desires to my dreams. The History Channel mutters at me things I already know and mixes these with sleep. The need to fly east drives my eyes to the clouds I believe I can reach--I used to fly.
Why can't I ask about the star sickening my cheeks, my teeth, my gums? The scene was on the screen, and it bent my innocence back by degrees of horror and logic. If I ask, the door will be opened, but the words are coded too deeply in too many individuals who keep bleeding into each other, onto the floor which accepts their tissue and enlightenment ensues.
The furniture is above ground and I cannot sit still.
The door's wood feels fake, and its grainlessness makes me recoil my fist--I will not knock; I am not supposed to be here. The edges of my skin fade into the damp night, and being flashes for a moment: This is real, I am alive, and there is no one else who can hear my heartbeat.
Infinity for a moment, the flap of a butterfly's wings remiding me that I can, in fact, burn in hell. A brick wall between you and God--18 inches--if it's not from the heart, it's not praise. Where is my evidence, my salvation, but in my ends?
When I fall asleep, I tell myself lies about what will be--not the Beast or the bloody water, but of scenes of my own redemption in fractal forms. Sacred art, the cross around my neck, that snake I love for its unsealed mythology--worshiped representations shadowing the touchable. It is black or white or yellow. Be reverent as you circle round one another, triangles and stars and goats with piercing horns nailing him to a cross, driving through the varely holding sheath between This and That, the red on my sheet telling me it was more than a bad dream.
Let's dance and revere some new myth. It's not about divinity or truth holding or an Englightement. It never was. This represents the blood and mine has been impure for so long that I keep asking the wrong questions, forgiving the wrong sin. I know it's not your fault.
On the eve of the millenium, we'd have been under peach street lights, arguing about goodness and goddesses. I hold his body sacred and imagine his death and repentence playing on the lenses of my sunglasses. I want to dig my nails, my heels, my soul into him, but the star on his hand would burn me. He makes me narrate to myself all the time I do not have, rubbing together icons until they become my own raw fingers. Is it fear of death that makes me mourn a dead man's jump? Is it fear of dead things that makes me shudder in wonder or love? For a moment, silence the awe with another full moon and just sleep.

Lincoln Hall (YES, Kari. THAT incident)
Forbidden.
Do not enter here.
These doors cannot be opened again
once they close behind.
Trapped eternally in a place where
your deepest temptations all reside
and you break beneath the pressure of the brick walls.
Once you enter
you cannot exit.

But what if someone finds you here?
We brazenly played until midnight
but it is forbidden
and these old bricks hold many sins
--a dirty bachelor pad
smelling of old socks and of too much aftershave.
Recklessness inside these stones
older than the offenders' grandparents.
Here, where the red-haired boy flips his personality
on and off
more easily than he does the lightswitch (crusty, moldy)
that finally brings him darkness at 3 a.m.

Here is where his secrets lie
of the immoral deeds they speak of
in inside jokes at the dinner table.
This is where his decisions are made,
where he'd rather not be
because he hates masquerades,
and it's all so confusing and chaotic
in his cramped room here.

(Insert comment about our lost innocence here).

Blufton, Ohio (written 11/17/99)
My own breath
fogs my vision
when I step out the door

The morning is too bright
so I can't see the light

My eyes are still closed
lost in
that too real dream
he left me with

The sun shines through
I can't find you.


Ideology of Disability (Fall 1999)

The heart swells
it reaches out and moves beyond
the confines of this wretched body
it stretches to encompass the world--
Love!

Shrink smaller
the pressure causes cringing
shrivels the heart into the soul
egocentricism and anger
mix to hate another's life
hate a soul, hate God's feeble creation.
Survive.

The Fabulous (A parody of "take my water")
I'm having visions of your khaki pants hanging loose and suggestive and your silk shirts rolled up and your pink lips mouthing that word that makes the base of my spine shudder into swoons, and the pucker of your chin when a cigar is placed where my mouth should be.
I'd make your life a satire, and end the brooding and open those blue eyes always lowered humbly in beauty. I hear you now, your voice in my inner monologue, my dialogue of me and me and now you, for certain words, the words I've heard you speak, now splice into my own. Those vices make me grin until saliva drips uneasily.
I see you hate evil, you hate women and human emotions that weaken your alaredy low self-esteem. So short--you know what they say about the size of the chain. Those chained ringlets on your head--I fall down, spilling chi and feminism. Allen Ginsberg and your image are sensual combinations. I cannot help the chill.

Fragment
That stack
later found under the carpet
flattened,
making its own book recording
of our readings, never in my handwriting
nous le savons plus que les mots sur le peau

Fragment II
Suddenly I can't remember all those water meanings
eyes and miracles
something about whales and instant storms
Le centre--
que veut-il dire
quand nous dirons
"returnez!"
Il port un visage de la Morte.

Fragment III
Kiss the gall from her exchange
save yourself from the hours between one and four
(closed eyes, to shut from the fissions)
Fear of death of dawn, the morning mother of the day.
Proliferate, but not of sublimation, ecstacy,
loving each other in chants.

Beavers with Brains
If you keep the door locked and admit you have no chance, you can be guilty without consequence. The liquid screens are communal, the doors are close together, and every key opens every door to reveal two big beds unruffled of their silks. When it begins to snow, I run, tank top straps icy already, to where the two stains meet, up and down, in a no-place, which transports us back in time, back inside. Back to the deep purple caverns, bright with romantic glittering diamonds. Wait, please, wait behind the clapboard. There by the stones is our rage, is our fate. The hunger borne of low steps, of a need to see the watering colors of the fog.

Found poem (for real) in Robert Frost class (2004)

It's much safer to resurect him.
The people run onstage, then run way
A collection fo virtues opens
sounding of Judgement to
the tawny meadow that truthfully faits
un tempete. It cuts cross Hermes' purple sheets.

Most absolute, that known which says with will "I make not!"
most unconfused parent of opposites, most central tautness, across the chest.

Speed on, bonds we speak of only once separated;
post rivalry, post duel, poast the fade out snapped frame
where the metal becomes the hilt
where the weapon meets its sheath.

Paper to write...sometime...

Academics like to stake their claims on certain topics and arguments that they plan on working on in the future. These usually appear in conclusion sections of dissertations or books. Well, since I'm lightyears away from either of those, here is my claim on a topic that I think would go nicely at next year's ACA/PCA at the Hub in Boston.

{FullMetal Alchemist: Theorizing Disability and Subjectivity} is the intellectual property of Amy Lea Clemons, PhD Candidate at Purdue University, West Lafayette, IN. Touch it and I'll sue.

...not that anyone would have taken it before me...but...you never know.

I wish I could write it for Mike's class, but it has little to do with "Access" and more to do with social constructions of disability. After all, the only thing Ed and Al want to access is the Stone--they get information just fine because of Ed's military ranking.
Hmmmmmmm, says the theorist.

Oh what a tangled web we weave
actually it's not we who weave it
it's always already there
and it's deception is that it makes itself disappear
and convinces us we have the ability to unglue ourselves from it
(Foucault)

Thursday, June 22, 2006

"enlightenment," ascendency, and Stargate discourse

Positivism, the belief that scientific reasoning will lead to reality, or truth. An ideology founded by and in the period we call the Enlightenment, positivism focuses on human progress through validated versions of science and technology, the teleology of which is infinitely in the future.

Mythologies: Narrative systems that seek to explore the nature of Nature, explain cause and effects, and prevent the breakdown of community (Rene Girard). Rituals do not emerge from mythology, but mythology from rituals; repeated actions meant to alleviate cultural tensions give way to stories that support those rituals. In Girard's formulation, mythology conceals the nature of ritual, which is the gratification of humanity's desire for violence, but Christianity, and the other four "enlightened" religions, reveal (apocalypse) the structure of ritual murder as a destruction of the Other and postponement of mimetic desire. In our post-Christian world, we no longer have the need to scapegoat and have no need to believe in mythologies that conceal the structures of culture. So says Girard.

Stargate: SG-1-- A strange blend of positivism, humanism, and mythology. Dead myths are revived for their misunderstood truth, "gods" are sublimated to aliens (the Other), and human progress (as technology and democracy) is touted as the revelation. There are tensions here, though. Mythology is no longer ridiculed for its primitive notions of gods and goddesses; by making the stories "real," the human relations the rituals and myths attempted to conceal remain concealed--Christianity becomes yet another myth involving aliens.

Whereas Girardian constructions of mythology present a hopeful future for humanity to recognize and thus correct our responses to the Other (human other), the narrative of Stargate presents mythology as yet another aspect of positivism, of human understanding, of Enlightenment. Furthermore, the "other" presented in in the series is problematical--nearly all of the characters from other planets are White English speaking peoples with mythologies stemming from a Western/Hellenic narrative.

This understanding of mythology provides other problematical discourses when we speak of "justice" --the early Daniel-centric episodes feature positivist, "enlightened" arguments for democracy and a sympathetic understanding of the "other;" later episodes (season 5), however, create a new mythology, a mythology of the show itself in its creation of "ascendant" beings, Daniel's own ascendance through his understanding of humanity and the universe, and the pre-ascendant, extent of bodily humanity (the end that postivism seeks to locate) "Lantians," who created humanity in this galaxy.

Why do we (at least a small portion of "we") need this new mythology? If Girard is correct, we should all be too Enlightened to fall back to mythologies--even mythologies that explain mythologies--because these stories are only ways to structure and justify human exclusion and murder of the Other. The shift in SG-1 that occured with the emergence of the "Ancients arc" discontinued the revelation of myth (A Girardian Move) that the first five seasons included. Daniel's increased militarization and his "fall" from ascendency have presented new arguments, new explications of familiar myths, and further proliferation of retrubutive justice.

To further think about: Trials and justice in SG-1, the scapegoat mechanism, rhetoric of anthropology available, arguments for positivism and progress, the Ori in relation to recent religious rhetoric (rhetoric which is definitely NOT "revealed" in the Girardian Christian sense), and the acts of "revelation" narrative naturally requires.

Monday, June 12, 2006

I miss my Utopia

When I left Bluffton College to go to the scary world of academia I thought I knew what I was doing. Nod your head, my readers. We felt confident in our abilities until about August. When grad school approached, we suddenly realized we were not in utopia anymore.
I wasn't worried academically; my brain is the only part of me that really is dependable (well, as far as literature and rhetoric goes), and the classes seemed to be repeats of things I'd already done at BC. In fact, that first semester they were repeats, but repeats intensified. I didn't even realize I was running myself into the ground until Dad called to tell me Aunt Karen died in December. That was when I started to feel tired.
All I know is that I didn't feel disabled until I went to Boston. I never would have called myself "disabled" or thought about going to disability services for help; the FMS, CFS and arthritis were my little problem, and problems (a la Mom) have multiple solutions which we must weigh for their life-affirming goodness. I handled Boston this way: I dealt with each problem individually, sealing off each problem in a little sterile ziplock baggie. I certainly didn't see it as an overarching decline in my health. I panicked for awhile about the aphasia affecting my career in English, but I didn't mark myself as truly disabled. "I have a little bit of a disability. Nothing to worry about," I told my profs, individually, only when I absolutely had to.
When Rick sent me to Adaptive Services, I was resistant and bitter. See the blog. It was immature and full of psychoanalytic goodies. I wanted to be normal so badly, to fix my fibromyalgia all on my own, that I got angry. Sure, Rick could have been a bit more empathetic, but I didn't help matters along by being flippant and defensively humorous about the situation. Yeah, but except for not knowing where I live somedays, it's not that bad.
Suffering defines us, says Levinas--but only the suffering of the Other defines us. Our own suffering makes us realize the il y a, the something that is almost nothing that terrifies us all. Suffering for Levinas, for me, for three million people with fibromyalgia, and another couple million with CFS, and another few million with Parkinsons and MS and a dozen other neurological diseases-- suffering is reality for us. It's how we affirm we are still here. Sometimes when my medication is especially effective, and I feel no pain, I get scared: Where is my body? Is my leg still there? I panic. Then I get depressed because I realize that what I feel isn't numbness, but normality.
Online, the FMers call non-sick people "the normals." The name of a punk band, but also a name that should be spit out with a twitching eyebrow. They don't know how good they have it. I used to hate, and I still hate, professional sports players who whine about their bad knees. You were healthly, and you did this to yourself. You idiot.
Online, they are angry. They are depressed. They are, for the most part, middle aged moms who lived a normal life until one day they had "the flu that never went away." They are overly fat or thin, white, and feeling helpless. They spend hours thinking about being sick, about what they can no longer do, scouring the internet for breakthroughs.
Once every few months I let myself read their stories. I let myself feel helpless, and I reread everything we know about the damned disease. I reread the studies on HGH and sleep and the mysterious and elusive Substance P that are all ruining my life, and I yell at the incompetent, male doctors who tell us with exercise and sleeping pills we'll be just fine. Then I slam my laptop shut, and decide I'm not going to put up with this anymore, and fight back again. I refuse to become like the women online. I'm not like them.
But Rick was right about a few things: If I am going to be in the University, the academy, I have to get used to the idea of bureaucracy. And bureaucracies require paperwork, and definitions and contingencies and laws. As Edward Schiappa says, we can never really define anything for "real"--there is no "essence" of what is a "wetland." Likewise there is no essence of "disability" that we can know (Sorry Plato); there is no normal against which we can measure all people. But humans, says Burke, says Schiappa act as though there is, and that is what we should study. What counts as X in context Y with constraints A, B, and C?
But there are cracks. The center falls apart, it will not hold. Sometimes what counts as X doesn't have a matching solution Z. Even our carefully litigated definitions don't line up every time. The university says I'm disabled. They say I should be in their system, marked with a giant D on my forehead, and I should talk about my difficulties. They want me to succeed they say. As long as what I need falls under their definitions of acceptable accommodations.
What I need, I told them, is time. I need more time to complete assignments, I need more excused absences, I need less time at the school, and more time in an environment that does not promote stress reactions. My doctor wrote this, my mother wrote this, I told them this.
They said no.
These are not accommodations that the University is willing to make, or that they have to make, or that they will make. We have standards to uphold. This is a University--deadlines and attendance are part of our very definition. Rigor.
What is frustrating is that I know what I need to succeed. When I have those things in place, I can do some pretty amazing things, intellectually. Unfortunately, what I need are not things that can be legislated, placed in stone or even ink. I have to move with my body, flourishing and achieving on good days, and letting myself off the hook on bad ones. The University doesn't allow for that.
Bluffton did. I remember the first time I realized I was getting special treatment. It was junior year, in Jeff's poetry (lit) class. My leg had just jerked me halfway across the room and he glanced up briefly at me, did one of his little chair dances, and said "All right there, Amy?" I said something flippant about Mr. Leg having mind of his own, and Jeff continued his lecture. What is remarkable about that (if you know Jeff) is that he didn't pause to make fun of my language, or the way I had figured my body part as Other, or some other Man as Muppet moment. In fact, he never said another word about my twitching ever again. Jeff doesn't do that.
At Purdue, I was suddenly pushed into thinking about those things, into doing those things, while maintaining my citizenship in the world of the able-boddied. It didn't work, so I revoked my citizenship and became a member of the Disabled.
But I'm not going quietly. Screw the regulations. If they can't give me what I need legally, I'll have to rely on the Blufftonness I see here at Purdue. It took me 18 years to learn to ask for help, and then when I finally did, I got nothing but a sad little letter and a note in my file. Because I'm not normal, but I'm not disabled enough or in the right ways. "Obviously this is problematic for your education, but I just can't see what we can do about that."

The class I'm taking this summer, The Rhetoric of Access, assumes we know what normal is (bad). It does not assume the University can fix problems legislatively (good). It assumes disability is identifiable and thus analyzable. "Usability" and "Access" and "Accommodations" all imply that these are problems to be solved with technology or additions--aids to help one visit the Country of Normals a few times per week.
But not live there.
I am not defined by my illness, but it has shaped me, it is part of my identity. You wouldn't pour white paint over a black person to help him or her gain access to a taxi. You don't "accommodate" women in the workplace by binding their breasts so they can fit into a suit. Instead, the rules must change and thoughts about what is "acceptable" or even "excellent" ("rigor") must change. There are separate Olympic sports for men and women because biologically men have more muscle mass, and excellence must be measured as relative. We don't give up our identities as women in order to be in the workplace, so why should disabled people ("people with disabilities, Amy--the person comes first") have to load themselves down with support and services and devices to create themselves as non-disabled?
Amazon women were said to have hacked off their left breasts so they could better shoot an arrow. What no one stops to think of is : "Why wouldn't they have just designed a bow that worked in harmony with a woman's body?" The crossbow is even more efficient and poses no such breast problem. But Amazon women are held to a male standard of war, and the legends were told by men. To give the women "access" to war, they had to imagine a way around the archery problem, and so they imagined hacking off a breast. Accommodation.
It's that sort of linear thinking (Problem: Breast:: Solution: Remove) that has created the accommodations we work with today. Instead of viewing learning and reading and writing and math and science as flexible fields of knowledge with several entrances and ways to succeed, there is only one way to get an A, one type of excellence, one definition of success (One type of bow, one kind of suit to wear to the office). And so we are left with a limited solution set (remove breast, don't fight, or aim badly). If we could just imagine another way, a third way (yellow) that would not reduce the meaning of the A or change the definition of the university, then these problems would all fall out. A crossbow is still a bow.
I'm afraid I'm in too deep to talk about this in class. That I have too much at stake here. That I still have a hard time not hedging on my own disability (It won't affect my course work; it's nothing I can't handle). I miss Bluffton, where I didn't have to say any of this, where it was implicit in Lamar's nod or Jeff's chair-bobbing. If schools for the deaf are the utopias for the hard of hearing, Bluffton was a utopia for the hard of walking. And I miss it, because I didn't have to analyze my own motivations.